I had the unique opportunity to attend a rehearsal of Joseph and The Amazing Technicolor Dreamcoat by the outstanding cast of Basingstoke Amateur Theatrical Society and directed by Louise Travis. Despite being a rehearsal, the performance was already incredible, showcasing raw talent that promises to be even more breath-taking with the addition of music, lights and scenery.
Highlights
The Potiphar Scene brought a fascinating clockwork orange vibe, adding a unique touch to the production.
The integration of narrators with the characters, particularly the brothers, was a brilliant choice, providing a fresh perspective on the storytelling.
The choreography was outstanding, effectively utilising the space and engaging the audience.
The well-rehearsed children added a delightful dimension to the production, contributing to a great overall sound.
Character Performances
Joseph: While well-sung, there seemed to be a bit of holding back, and I wished for more depth in the portrayal of light and dark throughout the performance as Joseph goes on a rollercoaster of a journey.
Jacob: Though lively, I felt he appeared a tad too sprightly for a father of 12 sons, particularly in the dance numbers. I understand the need for the involvement especially within the dance numbers but didn’t believe the age of the character.
Pharaoh: Surprisingly kind, lacking the expected arrogance, which offered an interesting take on the character. Working more as a crowd pleaser than a ruler.
The Potiphar’s: Potiphar’s ‘roar’ was appreciated, along with the aggressive nature that was to be expected with this character and Mrs. Potiphar effectively conveyed discomfort and tension in her scenes with Joseph and the audience.
Group Performances
The brothers showcased individual characters, each distinct, even while competing with their flowing locks. Those Canaan Days sung in acapella was just *Chef’s Kiss* and gave me goose bumps.
The wives’ inclusion was a lovely touch, providing great routines and support to the brothers even with all the quick changes demanding them.
The ensemble, including the angels, provided seamless support, singing as one. The angels sang cohesively, contributing to the ethereal atmosphere. The Ishmaelites added a delightful visual dynamic to the show. The Baker and the Butler, portrayed by Sally Manning and Laura Hughes respectively, took me by surprise with their vocal prowess. Their unexpected vocal abilities added an extra layer to the ensemble, showcasing their talent in a way that pleasantly caught me off guard. If you go to see this production, you’ll certainly understand what I mean when the Baker and the Butler open their mouths.
Observations
Due to unforeseen illness, only two narrators were singing, which was handled well and still made an amazing sound.
Lightning couldn’t be commented on directly due to the rehearsal venue, but set pictures and videos indicated a visually stunning production.
The costumes, which I got to see most of was great as this show can be very confusing with the different time settings and trying to figure out which route to go down, but feel they got it just right.
In conclusion, this rehearsal of Joseph and The Amazing Technicolor Dreamcoat provided a captivating glimpse into what promises to be an exceptional performance. The dedication of the cast and the creative choices made already set the stage for a truly memorable show. For those fortunate enough to attend, this production is sure to offer a magical experience at the theatre.
Jaz Wilson
It’s All An Act