Clara on sunflowers, sisterhood and a little bit of hula hooping!

Clara Cosh-Escott has an idea she wants to run past her fellow cast members in BATS’ production of Calendar Girls - The Musical. “I’ve been thinking of treating myself to a little sunflower tattoo and it would be great if we all got one to commemorate the show! It’s something I need to raise with the ladies. I’m sure some of them would be up for it!”

Clara plays the role of Celia

Sunflowers play an important role in the real-life story of the Yorkshire WI women who stripped off for a charity calendar hoping to raise a few hundred pounds for cancer research - only for their story to make global headlines and net millions more in donations. 

“I play Celia, a wonderful well-to-do lady’” says Clara. “She’s been jet setting all over the world as an air hostess, but she’s now snagged a rich husband who’s whisked her back to Yorkshire.”

“She spends her days playing golf but doesn’t really fit in with the golf club ladies. However she really enjoys the company of the ladies at the WI!”

Clara has also been practising a new skill for her role.

“I’m learning how to hula hoop! But I can’t say why - you’ll have to come and watch to find out!”

So how does Clara feel about taking part in the famous scene where the ladies are photographed unclothed, with various props artfully “protecting their modesty”?

“At this stage, with a few weeks to go, the prospect is absolutely terrifying, but we’re building up to it gradually in rehearsal and I know we’ll all have each other’s backs!”

But for Clara, Calendar Girls is about much more than ‘that scene’.

“If you’ve experienced grief, you will relate to this show. If you’re someone who’s ever felt outside a social group and doesn’t fit in, you will relate to this show. If you have a nice close-knit circle of friends who will get you through anything, you will relate to this show.”

“It’s got that warm Yorkshire feel to it that will bring a smile to your face and tears to your eyes!”

BATS’ production of Calendar Girls runs at the Haymarket, Basingstoke from 17-21st November. View show information and book tickets.

Kathy Kicks Off the Year as Miss January

It’s the true story of the Yorkshire Women’s Institute ladies who decided to strip off for a risqué charity calendar - and ended up raising millions of pounds for cancer research. It later became a much-loved film starring Helen Mirren and Julie Walters.

Kathy plays the role of Jessie

Now Gary Barlow’s musical version of Calendar Girls is coming to the Haymarket, Basingstoke. And the big question is, how will they portray the scene immortalised in the line “We’re going to need considerably bigger buns”?

“There is a certain choreography to it” laughs Kathy May-Miller, whose character Jessie is “Miss January” in the calendar. 

“It’s all about the other members of the cast moving things around us, then when we give the nod they reveal what we’re hiding behind. For me it’s my knitting!”

Kathy says the prospect of performing “that scene” has bonded the cast together. 

“We’ve formed a real team. You can imagine we’ve known each other and lived in the same village for 30 years.”

“My character Jessie is a retired primary school headteacher. She’s quite forthright with a dry sense of humour. The WI is her chance to relax and let her hair down a little bit, while still making sure everyone maintains standards!”

Kathy recalls the original Calendar Girls making national headlines in 1998 and says they’re an inspiration.

“I can remember thinking gosh, that’s not what I thought the WI was like! But this is a story about celebrating ourselves for who we are. It wasn’t done gratuitously, it was done for a good cause, and look how much money they raised.”

Members recently ran the Basingstoke 10k dressed as sunflowers to raise funds for local cancer charities and towards a special community performance on 17th November for people affected by cancer. 

The legacy of the original Calendar Girls lives on, almost 30 years after their story first captured our hearts.

BATS production of Calendar Girls runs at the Haymarket, Basingstoke from 17-21st November. View show information and book tickets.

Calendar Girls auditions - Information for pre-audition workshops, audition dates and registration

Calendar Girls The Musical Logo

If you are an adult aged 18+ and would like to join us to perform in Calendar Girls, here is the information you need about auditions.

The show will be performed at The Haymarket in Basingstoke from 17 - 21 November 2026.


ACCESS AUDITION RESOURCES ONLINE: MEMBERS AREA

You must be a paid-up member to be able to access audition materials and the online audition form.

Access these resources by logging into your member account on the BATS website. If you are a new member, pay your membership online with a debit or credit card to gain instant access your account. Annual membership is £25 and runs from 1 July - 30 June.

ELIGIBILITY TO AUDITION

Our preference is for cast members to attend ALL rehearsals - especially the director’s setting blocks. That said, we understand that conflicts can happen, so we’d ask that you identify a stand-in.

Alongside director setting dates, cast will be called for rehearsal every Monday and Wednesday evening and on some Sundays, although you will only be called for scenes in which your character is featured. If there are any dates you’re unavailable, please note them on your audition form, and we’ll take that into consideration during casting. View the outline rehearsal schedule.


Welcome talk and Social

It is not mandatory to attend in order to audition:
Date: Wed 27 May 2026: 7.30pm – 10.00pm
Venue: Christ Church, Reading Road, Chineham, RG24 8LT
What will happen:
Director (Angus Jacobs) - Overview of the show and creative vision. Character breakdown: what we’re looking for.

Julie Dance (Musical Director) - Introduction to different songs from the show: what we looking for vocally.

Overview of how auditions will work. Open Q&A.

BATS social - Opportunity to mingle and ask questions of the BATS commitee members, other members of the Society and the Calendar Girls creative team.

Pre-audition workshops

You do not have to attend a pre-audition workshop in order to audition. An optional individual 10-minute singing session with the Musical Director can be booked (*see below).

Dates: Mon 1, Wed 3 June

Timetable:
7.30pm - 7.45pm - Welcome from Angus. Overview of the show (numbers, inspiration for the show, characters and audition dialogue pieces, procedures for psychological safety/nudity)
7.45pm - 8.30pm - Scene exploration with Angus and individual audition song preparation (10 mins*) with Julie
8.30pm - Break
8.45pm - 9.30pm - Scene exploration with Angus and individual audition song preparation (10 mins*) with Julie

*One individual slot per person. Book via the Show Manager at a pre-audition session (or email batsshowmanager@gmail.com)

Venue: Christ Church, Reading Road, Chineham, RG24 8LT

 

Auditions

The online audition form must be submitted by 11.59pm on Wednesday 3 June 2026.

Auditions and callbacks will be held on:

Date: Sat 6 June: 10.00am - 5.00pm
Venue: St. Mark’s School, Danebury Rd, Basingstoke, RG22 4US

Date: Sun 7 June: 10.00am - 5.00pm
Venue: St. Mark’s School, Danebury Rd, Basingstoke, RG22 4US

Performance Fee

If you are successfully cast in the show, a performance fee of £100 is payable (can be paid in full or in four instalments).

We Will Rock You Review, May 2026 - One Show at a Time

The audience is in, the curtain is up, and Basingstoke Amateur Theatrical Society (BATS) are back on stage. BATS are very much the champions once again as they have another terrific show under their belt, this time bringing the hit musical We Will Rock You to Basingstoke’s Haymarket, running from 12th-16th May.

I previously saw the rehearsal of this show before the company reached the theatre.

Following the rehearsal, I was excited to see how We Will Rock You would be, with everything brought together, including the finer details of the set and costumes, and I was not disappointed. BATS We Will Rock You is a splendidly fun explosion of colour and sound. With slick choreography, courtesy of Jenny Sawyer and musical direction from Simon Eastwood, resulting in gorgeous harmonies, and a dedicated company that maintains full energy from start to finish, We Will Rock You is another terrific show from BATS. Yes, the show is kooky and very much over-the-top, but that’s why it works and is so enjoyable.

The two leads are fantastically cast. Dale Barrell as Galileio and Grace Trinder as Scaramouche have superb stage presence, and with their strong vocals that really do the music of Queen justice, the pair command attention brilliantly. The chemistry the two have feels genuine, and the way they bounce off each other naturally aids in bringing their characters to life that much more. With Barrell’s first song being ‘I Want To Break Free’, he quickly shows audiences what a powerful voice he has from the word go. Similarly, Trinder’s performance of ‘Somebody To Love’ really demonstrates what a skilled voice she has. Be it in the tender ‘Who Wants To Live Forever’ or the feisty ‘Hammer To Fall’, the pair’s vocals, like their on-stage chemistry, blend well together.

Gaz Cottier and Chloe Ballard as Brit and Oz are also excellently matched, with an infectious energy that is joyous to watch and makes the pair quick to love when they’re on stage. Ballard’s rendition of ‘Only The Good Die Young’ is a particularly special and poignant scene, where you could have heard a pin drop save for Ballard’s crystal clear vocals. 

Whilst Queen is the soundtrack to this show, what I think makes the BATS company performances work so well is that no one is trying to be Freddie Mercury or his bandmates. The cast is performing the iconic hits, yes, but also making the songs their own. And they do so marvellously. 

Whilst the above-mentioned performers are the leads, the whole company are stars in their own right, and each and every person deserves praise. Sally Manning and Ian Moseley are both so very good at being bad. They clearly understand and easily demonstrate that everyone loves a good villain. The rest of the company is comprised of Richard Bond, Victoria Southgate, Sophie Collins, Sabrina Hinchcliffe, Jade Hollingshead, Emily Hudson, Jade Williams, Stuart Baker, Jack Baldwin, Clara Cosh-Escott, Hiro Fam, Robert Lea, Joanna Watts and James Young. Additional vocalists are April Frost-Evans, Joanna Feasey, Holly Reedman, David Allard and Jonathan Warriss-Simmons.

From the moment the curtain rises until the moment it falls at the end, this show is full on, yet everyone takes it in their stride. The passion each person pours into their performances is palpable and brings the show alive. The hard work from every member of the company has definitely paid off, and that goes for everyone who has worked determinedly both on and off stage. The whole BATS company are a fantastic team of people who are working tirelessly to put on a show in their own time, alongside daily life, and shows like We Will Rock You show that their hard work is worth it. The futuristic setting of the show, combined with the mammoth music that is Queen, makes this far from an easy show to put on, but BATS took the challenge and ran with it very well. Every show BATS creates is a labour of love, and We Will Rock You is no exception.

Creativity, freedom, expression and individuality are what we could all do with celebrating right now, and these themes are all very much present in this show. With We Will Rock You, BATS have given audiences a camp, cheery and uplifting show – perfect for putting smiles on people’s faces and making people want to dance in their seats.

There are very few tickets left for the run of We Will Rock You, and after watching, I can see why! The whole BATS company should be proud of this show they have put together. If you’re unable to get yourself to see We Will Rock You and you’re sad to have missed out…well, that’s understandable! But BATS have set themselves a reputation for great theatre, so I am sure that whatever comes next will be just as well worth seeing.

Leyla Demirel
One Show at a Time

We Will Rock You Review May 2026 - National Operatic and Dramatic Association (NODA)

We Will Rock You is a jukebox musical by Queen and Ben Elton. It has music and lyrics by Queen, story and script by Ben Elton and original vocal score by Brian May, Roger Taylor and Mike Dixon. It’s set in the future where original thought and individuality are banned. It is world without musical instruments. In this world there’s a group of rebels, The Bohemians including Galileo who has words and music in his dreams and Scaramouche, who captures his heart. From the Star Wars style intro on a screen to the encore of Bohemian Rhapsody, the show is packed with timeless Queen classics.

Projected backdrops were used for most of the scenes including the wasteland, Wembley stadium, Globalsoft HQ, Killer Queen’s residence and The Heartbreak Hotel. The props were amazing and included a Harley Davidson.

The costumes were excellent with modern, futuristic outfits for the Teen Queens, Khashoggi and a selection of individuals styles for the Bohemians including basque and ripped tights for Oz, kilt for Britney, leather jacket and skinny jeans for Galileo, hippy style flares for Buddy and some easily recognisable pop star outfits including Boy George, Madonna, Tina Turner and Prince.

Lighting and special effects. The lighting was amazing with a variety of colours and combinations used to enhance the action. Bars of lights were used to frame the stage and many angles and coloured filters used as well as spotlights for solos. The special effects were spectacular and included frighteningly realistic skeletons appearing on screen behind the victims of the brain draining scene and a giant game of ‘Space Invaders’ to accompany ‘Another One Bites The Dust’.

This was an electrifying show with superb performances from an outstanding cast.

The Earth has been renamed the iPlanet and individual thought and creativity has been outlawed – is brought to life by an amazingly talented bunch of performers who gave their all throughout the show. Leading the Bohemians, Dale Burrell, as Galileo, performed with confidence and charisma and was evenly matched by his fellow Bohemians: Grace Tinder (Scaramouche), Chloe Ballard as Oz and Gaz Cottier as Brit was an audience favourite and full of life and humour. Sally Manning as Killer Queen had an evil charismatic presence and powerhouse vocals. Ian Mosely was sinister and commanding as the police chief, Khashoggi. Richard Bond as the hippy librarian brought warmth and humour to this comedic role but also great emotion to his solo ‘These are the days of our lives’. The subject of the show which is set in the future – the effect of globalisation and social manipulation where young people spend a lot of their time in a virtual world – is relevant today. It has a serious message but is often hilarious as some dialogue is composed of song titles strung together in sentences and is full of puns and humorous asides. Every aspect of this production was executed perfectly led by experienced Director and Choreographer, Jenny Sawyer. The dance sequences were imaginative and performed with precision. Simon Eastwood headed up the musicians and the music was incredible from all, particularly guitar solos from Daniel Bilbey. The band accompanied the performers with their extraordinary interpretation of the Queen classics. There was not one dull moment in this staggeringly enjoyable and hugely successful production from BATS. It was so good, I went twice!

Chris Horton
District 14 Regional Reprentative
NODA and Regional Editor

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