Singin' in the Rain Review, May 2018 - NODA

Congratulations to Director, Ray Jeffery who drew polished performances from the hugely talented cast and first-class choreography from Julie Morris and Karen McCloy. BATS should be proud to add this production of Singin’ In The Rain to their list of successes. This was two and a half hours of all singing and dancing entertainment with the aid of a massively skilled cast and crew.

The Production: Bryn Hughes as Don Lockwood was hardly ever off the stage and sang and danced with great emotion and gusto. The duo's Fit as a Fiddle, Make ‘Em Laugh and Moses Supposes was hugely popular and were hilarious. There were many memorable performances, including the smooth singing of Beautiful Girl by Ian Moseley and Kathy’s (Anneka Wass) You are My Lucky Star was gorgeous and Lina’s What’s Wrong With Me was as out of tune as it should have been! Making his debut with BATS, William Keel-Stocker simply oozed charm and charisma as well as talent as Don’s sidekick Cosmo. This was a musical with heart and chemistry and so much to love; so many favourite moments for me, not least Good Mornin’ and Would You?

 L to R: Don (Bryn Hughes), Kathy (Anneka Wass) and Cosmo (Will Keel-Stocker)

L to R: Don (Bryn Hughes), Kathy (Anneka Wass) and Cosmo (Will Keel-Stocker)

 Ian Moseley performs "Beautiful Girls"

Ian Moseley performs "Beautiful Girls"

 Kirsty Bennett as Lina Lamont, performing 'What's Wrong With me?"

Kirsty Bennett as Lina Lamont, performing 'What's Wrong With me?"

Costumes: The costumes were fantastic; colourful, vibrant and of the highest quality with numerous (and quick!) changes. There was great attention to detail ranging from Lena’s gowns, the massive headdresses of the ensemble, Don and Cosmo’s matching suits for Fit as a Fiddle as well as the black and white theme for the after party scene.

Sound: The music, under the direction of Trevor Defferd proved a great asset to the show and kept the lively music going. The voices blended well with the music. The sound team were kept busy handling effects needed for the arrival of the talkies and Lina’s inability to speak into her microphone! This was well executed.

Technical: The spectacular staging of the title song with fully working rain set deserves enormous praise as does the use of multi-media showing the black and white films ranging from the silent films to the transition to talkies. These provided joyful complement to the live action.

Chris Horton
NODA South East Region, District 14 Representative
 

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